The Searcher
illustration . storytelling . picturebook
The Searcher, named after the main character of the story, marks my debut as both an author and illustrator. As a migrant myself, and while developing my master's degree project, I began pondering what it would be like if cities, buildings and landscapes migrated instead of people. The story explores themes of migration, delving into feelings of loneliness, the challenges of fitting in, and the quest to find one's sense of belonging. Ultimately, it remains open to various interpretations, in a wordless book that aims to resonate universally, inviting readers of all backgrounds to connect with its narrative, find new meanings and create their own stories.
The illustrations are believable yet not strictly realistic. The Searcher's isolation is highlighted by muted tones, with orange accents emphasizing her presence. Her abstract hair shapes serve as another character throughout the pages. Her outline disappears when she sets herself free and accepts an invitation from one of the Wandering Worlds. Limits were set to avoid overwhelming possibilities, given the digital tools used, primarily Procreate — a few digital brushes, and a color palette.
MFA graduation project / Technique: Digital Media (Procreate & Photoshop) / Format: 32 pages, 28,5 x 28,5 cm / Unpublished / 2024
Note: I am actively looking for a publishing opportunity for The Searcher.
MFA graduation project / Technique: Digital Media (Procreate & Photoshop) / Format: 32 pages, 28,5 x 28,5 cm / Unpublished / 2024
Note: I am actively looking for a publishing opportunity for The Searcher.














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Me and Pharaoh's Secret
illustration . storytelling . picturebook
Illustration entry for the Pingo Doce Children's Literature Competition 2024.
Originally titled Eu e o Segredo do Faraó by Catarina Fonseca.
My Role: Illustration & Cover Design / Technique: Digital Media (Procreate & Photoshop) / 2024
Originally titled Eu e o Segredo do Faraó by Catarina Fonseca.
My Role: Illustration & Cover Design / Technique: Digital Media (Procreate & Photoshop) / 2024







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Alexander the Dreamer
illustration . storytelling . picturebook
Originally titled Rüya Göremeyen Burak and written by Nur Tunay, Alexander the Dreamer is a story for children aged 3–7. It follows a boy who struggles to dream, but when he finally does, he embarks on an amazing adventure.
As the illustrator, my aim was to enrich the narrative by creating visual links between Alexander’s room, his friends, belongings, and the places or characters he encounters in his dreams. I used detailed compositions and warm colors to invite children to explore each page closely, enhancing their engagement with the story.
My Role: Illustration & Graphic Design / Technique: Digital Media (Photoshop) / Format: 32 pages, 22 x 22 cm / Published by: Meerkat Publishing House, Istanbul, 2018 / Video Animation by: Cem Dayioglu
Note: All rights to "Alexander the Dreamer" now belong to the illustrator (myself) and the writer, Nur Tunay. We are open to new opportunities and actively seeking a new publishing house for our picture book.
Note: All rights to "Alexander the Dreamer" now belong to the illustrator (myself) and the writer, Nur Tunay. We are open to new opportunities and actively seeking a new publishing house for our picture book.





















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The Alphabet of Bad, Sad or Weird Things
illustration . storytelling . picturebook
The Alphabet of Bad, Sad or Weird Things is a picture book I created during the pandemic when I moved to Lisbon for my master’s studies. It was my first time being away from my family for such a long time. Alone in a tiny, one-window room, I began wondering what other strange, sad, or unfortunate things could happen — to the world, to people, or to me. This book is a visual exploration through those thoughts, blended with my dark humor.
Personal Project / Technique: Digital Media (Procreate & Photoshop) / Format: 28 pages, 21 x 21 cm / Unpublished / 2020
Note: Big thanks to my friend Hande Akgün for her support and contributions.
Note: Big thanks to my friend Hande Akgün for her support and contributions.














